2019
for: string trio
duration: 13'
commission: Amis des Swiss Chamber Concerts Genève
first performance: 10.12.19, Basel, Gare du Nord, Swiss Chamber Soloists (Ilya Gringolts, Lawrence Power, Daniel Haefliger)
2019
da Mozart, KV 356
for: violin, bass flute and viola
duration: 5'
commission: L'Instant Donné
first performance: 26.5.19, Montreuil, La Marbrerie, L'Instant Donné (Elsa Balas, Saori Furukawa, Mayu Sato-Brémaud)
1990-92
for: orchestra
detailed instrumentation: 2.2.2.2./2.2.0.0./perc.I.II./cel., harp and strings (10.8.5.5.3.)
duration: 9'30
first performance: 1st version: May 1991, Florence, ORT's Musical Season, Orchestra Regionale Toscana, Donato Renzetti (conductor); 2nd version: 16.11.92, Vienna, Wien Modern, ORF Symphonieorchester, Bernhard Kontarsky (conductor)
2012
da Mozart, KV 356
for: toy-piano (or celesta) and violin
duration: 4'
first performance: 16.12.12, Venezia, Gran Teatro La Fenice, Ex Novo Musica 2012, Lina Uinskyte (violin), Aldo Orvieto (toy-piano)
2014
for: accordion and live electronics ad libitum
duration: 20'
first performance: incomplete version: 21.3.14, Naples, Chiesa di Santa Caterina da Siena, Fondazione Pietà dei Turchini Musical Season, Francesco Gesualdi; complete version with live electronics: 6.11.14, Padua, Auditorium Pollini, I concerti del Centro d'Arte, Fanny Vicens (accordion), Alvise Vidolin, Luca Richelli (live electronics)
2015-17
omaggio a Robert Schumann per pianoforte e dispositivo elettronico trasparente
for: piano and electronics
duration: 20'
first performance: complete version: 19.1.18, Turin, Teatro Vittoria, Unione Musicale, Aldo Orvieto (piano), Alvise Vidolin (live electronics)
1989
quasi una serenata con la complicità di Schubert
for: alto flute, clarinet and string trio
duration: 11'
first performance: 22.11.90, Milan, Nuove Sincronie, Ensemble Recherche
2003
for: one percussion player
duration: 16'
commission: Deutschland Radio-Berlin
first performance: 23.1.03, Berlin, UltraSchall - Das Festival für neue Musik, Christian Dierstein
1992
for: eight instruments
detailed instrumentation: flute, clarinet, bassoon, horn, piano, violin, viola and cello
duration: 7'30''
first performance: 18.10.92, Milan, Nuove Sincronie, Ensemble L'Itinéraire, Philippe de Chalendar (conductor)
2015
for: bass clarinet
duration: 13'
commission: Armand Angster
first performance: 7.11.15, Parma, Casa della Musica, Festival Traiettorie, Armand Angster
1999
for: twelve instruments
detailed instrumentation: flute, oboe, clarinet, percussion, guitar, mandolin, piano/celesta, harp, violin, viola, cello and double-bass
duration: 13'
commission: Milano Musica and the Nieuw Ensemble Amsterdam
first performance: 25.10.99, Milan, Teatro dell'Arte, Milano Musica - Percorsi di Musica d'Oggi, Nieuw Ensemble, Renato Rivolta (conductor)
2005-07-11
for: soprano, violin, viola and cello
duration: 15'
commission: Domaine de Kerguéhennec (for the songs "Im Herbst", "Im Winter", "Im Sommer")
first performance: 7.5.11, Witten, Tage für Neue Kammermusik, Natalie Raybould (soprano), L’Instant Donné string trio; previous version as "Drei Aster Lieder": 17.6.07, Paris, Ircam, Festival Agora, Melody Louledjian (soprano), L’Instant Donné
1997
Hommage à Schumann-Celan
for: obbligato string trio and three echo trios
detailed instrumentation: flute, oboe, clarinet, bassoon, horn, percussion, piano and string quintet
duration: 17'30''
commission: Milano Musica
first performance: 15.10.97, Milan, Milano Musica - Percorsi di Musica d'Oggi, Ensemble Alter Ego, Renato Rivolta (conductor)
1995
for: six percussion players
duration: 17'
commission: the French Ministry of Culture
first performance: 1st (incomplete) version: 1.04.1996, Rome, Academia Santa Cecilia, Les Percussions de Strasbourg
2nd (complete) version: 25.09.1996, Strasbourg, Festival Musica, Les Percussions de Strasbourg
2007
for: countertenor, oboe and trombone
duration: 8’30”
commission: Contrechamps
first performance: 3.10.07, Strasbourg, Festival Musica, Kai Wessel (countertenor), Béatrice Zawodnik (oboe) and Jean-Marc Daviet (trombone)
2017
for: ensemble
detailed instrumentation: flute (also G-flute), oboe (also English horn), clarinet in B flat (also bass clarinet), bassoon (also contrabassoon), horn in F, trumpet in B flat, trombone, percussion I, percussion II, piano, violin I, violin II, viola, violoncello, double-bass (five strings)
duration: 16'
commission: Lemanic Modern Ensemble
first performance: 13.1.18, Paris, IRCAM-Centre Pompidou, Lemanic Modern Ensemble, William Blank (conductor)
2001
for: flute and eleven couples of musicians
detailed instrumentation: solo flute, 2.2.0.0./2.2.2.0./perc. I.II./ 2 pianos (a grand piano and an upright piano) and strings (2.0.2.2.2.)
duration: 23'
commission: Contrechamps, Geneva
first performance: 11.12.01, Geneva, Bâtiment des Forces Motrices - Salle Théodore Turrettini, Mario Caroli (flute), Ensemble Contrechamps, Heinz Holliger (conductor)
2018-19
Azione musicale per coro di bambini e otto musicisti
for: double children choir, oboe, clarinet (and bass clarinet), basson, percussion, accordion, violin, viola, cello
duration: 15'
commission: Koussevitzky Music Foundation - Library of Congress
first performance: 25.5.19, Milano, Rondò 2019, Sala Puccini del Conservatorio G. Verdi, Divertimento Ensemble, I Piccoli Musicisti di Divertimento Ensmble, Sandro Gorli (conductor)
2014-15
terzo quartetto per archi
for: string quartet
duration: 29'
commission: Bludenzer Tage zeitgemäßer Musik, Quatuor Diotima and Milano Musica
first performance: 21.11.14, Bludenz, Bludenzer Tage zeitgemäßer Musik, Quatuor Diotima
2007-2008/2009-2010
a song concert upon sonnets by Luís Vaz de Camões and fados by Amália Rodrigues
for: for fado singer, baritone, large ensemble and live electronics
detailed instrumentation: fado singer (female), baritone, flute (also piccolo and G-Flute), oboe (also English horn), clarinet in B flat (also basset horn and bass clarinet), bassoon (also Contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone (also bass trumpet in B flat), percussion I, percussion II, Cimbalom and Percussion III, Portuguese guitar, Spanish guitar, harp, accordion, piano (also celesta - five octaves), violin I, violin II (also played with e-bow), viola, violoncello, double-bass and live electronics
duration: 1h 20'
commission: Ircam, Casa da Música (Porto), Ensemble Modern and Radio France (1st version); Nieuw Ensemble (2nd version)
first performance: 1st version: 17.2.08, Porto, Casa da Música, Cristina Branco (voice), Frank Wörner (baritone), Ensemble Modern, Franck Ollu (conductor); revised version: 10.2.10, Utrecht, Vredenburg Leidsche RIjn, Cristina Branco (voice), Frank Wörner (baritone), Nieuw Ensemble, Etienne Siebens (conductor)
1989-90
for: double-bass and ensemble
detailed instrumentation: solo double-bass, 1.0.2.1./0.0.0.0./perc.I.II.III./guitar, alto and cello
duration: 6'30"
first performance: 7.9.90, Amsterdam, International Gaudeamus Music Week, Thom de Ligt (double-bass), NOS Radio Kamer Orkest, Elgar Howarth (conductor)
1989-93
for: voice and ten players
duration: 3'
1994-95
for: viola and fifteen musicians
detailed instrumentation: solo viola, 1.1.1.1./1.1.1.0./perc. I.II./piano and celesta (1 player), harp and strings (1.0.1.1.1.)
duration: 26'
first performance: revised version: 5.7.95, Venice, Biennale Musica, Geneviève Strosser (viola), Klangforum Wien, Beat Furrer (conductor)
1993
for: ensemble
detailed instrumentation: 1.0.1.0./1.0.0.0./perc. I.II./piano, violin and cello
duration: 17'
commission: French Ministry of Culture
first performance: 15.2.94, Paris, Radio France, Présences 1994, Ensemble FA, Dominique My (conductor)
2019-20
sulle Tres Lecciones de Tinieblas di José Ángel Valente
for: mixed choir and live electronics
detailed instrumentation: S.S. A.A. T.T. B.B. (24-32 singers)
duration: 40'
commission: Ministère de la Culture (France) - IRCAM
first performance: 9.6.20, Paris, Philharmonie, ManiFeste 2020, SWR Vokalensemble Suttgart, Yuval Weinberg (conductor), Thomas Goepfer, Benoît Meudic (IRCAM sound designers)
1995
for: violin, viola and cello
duration: 15'
commission: WDR - Köln
first performance: 22.4.95, Witten, Tage für Neue Kammermusik, Recherche String Trio
2013-14/2017
quattro madrigali a cinque voci su testi di Torquato Tasso
for: vocal ensemble (S. MS. CT. T. B.)
duration: 12'
commission: Exaudi with funding from Diaphonique, a Franco-British contemporary music fund supported by the Institut Français, the Sacem, the Bureauexport de la Musique, the British Council and Ministère de la Culture et de la Communication
first performance: 18.10.14, London, Bishopsgate Institute, Grate Hall, Exposure 2014, Exaudi Vocal Ensemble
2015-16
for: orchestra
detailed instrumentation: 2.2.2.2./2.2.0.0./perc.I.II./harp and strings (10.8.6.5.4.)
duration: 13'
commission: Fondazione Orchestra Haydn
first performance: 22.03.16, Bolzano, Auditorium, Symphonic Season 2015-16, Orchestra Haydn, Dietrich Paredes (conductor)
1989-90
for: flute, voice, ensemble and tape
detailed instrumentation: obbligato flute and soprano, 1.1.2.1./2.1.1.0./perc.I.II.III./cel., harp, strings (3.0.2.1.1.) and tape
duration: 14'
first performance: 21.10.90, New York, Settembre Musica, OSER "A. Toscanini" Instrumental Ensemble, soprano Victoria Schneider, flute Sandor Nagy, conductor Giuseppe Garbarino
1985 - rev. 2003
for: voice, clarinet, viola and three percussion players
duration: 13'
first performance: 12.2.03, Geneva, Salle Communale de Plainpalais, Rosemary Hardy (soprano), Ensemble Contrechamps, Stefan Asbury (conductor)
2003-04
for: double string trio
duration: 22'
commission: WDR Köln for Wittener Tage für neue Kammermusik 2004
first performance: 24.4.04, Witten, Tage für Neue Kammermusik, Arditti String Quartet, Trio Recherche
2003-10
for: vocal sextet and string sextet
duration: 40'
first performance: 6.5.11, Witten, Tage für Neue Kammermusik, Exaudi, L’Instant Donné, James Week (conductor)
2007-09/2017
da "Com que voz"
for: bass-baritone and large ensemble
detailed instrumentation: bass-baritone, flute (also piccolo and G-Flute), oboe (also English horn), clarinet in B flat (also basset horn and bass clarinet), bassoon (also Contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone (also bass trumpet in B flat), percussion I, percussion II, Cimbalom and Percussion III, Portuguese guitar, Spanish guitar, harp, accordion, piano (also celesta - five octaves), violin I, violin II, viola, violoncello and double-bass
duration: 31'
first performance: 8.4.17, Kiev, Plivka, Ukho Ensemble Season 2016 - 2017, Frank Wörner (baritone), Ukho Ensemble, Luigi Gaggero (conductor)
2017-18
for: mezzo-soprano and piano
duration: 9'
commission: Internationaler Musikwettbewerb der ARD 2018
first performance: 29.1.19, New York, Peter Jay Sharp Theater, The Juilliard School, Focus Festival 2019: On the Air!, Kady Evanyshyn (mezzo-soprano), Christopher Reynolds, piano
1994
for: female voice, flute, clarinet, piano, violin and cello
duration: 7'
first performance: 20.10.94, Paris, Festival d'Automne à Paris, Luisa Castellani (soprano), Ensemble Contrechamps, Zolt Nagy (conductor)
1995
for: female voice, bass flute, viola and percussion
duration: 6'
commission: Archipel 1996 Festival in Geneva
first performance: 12.3.96, Geneva, Archipel, Luisa Castellani (soprano), Ensemble Contrechamps, Giorgio Bernasconi (conductor)
2009-10
for: female voice and ensemble
detailed instrumentation: mezzo-soprano (or soprano), flute, clarinet, percussion, harp, piano, violin and cello
duration: 5'
commission: French Ministry of Culture
first performance: 6.10.11, Strasbourg, Salle de la Bourse, Festival Musica 2011, Françoise Kubler (soprano), Accroche Note
1995-96
for: female voice, flute, clarinet, percussion, piano and string quartet
duration: 9'
first performance: 5.10.95, Strasbourg, Festival Musica, Katherine Ciesinski (mezzo-soprano), Ensemble Recherche, Pascal Rophé (conductor); revised version: 12.3.96, Geneva, Archipel, Luisa Castellani (soprano), Ensemble Contrechamps, Giorgio Bernasconi (conductor)
1991
for: flute and violin
duration: 9'
first performance: 6.10.92, Trieste, Civico Museo Revoltella, Annamaria Morini (flute), Enzo Porta (violin)
2018
for: alto flute, viola, cello
duration: 5'
commission: Swiss Chamber Concerts
first performance: 27.9.18, Basel, Ackermannshof, Swiss Chamber Soloists (Felix Renggli, Jürg Dähler, Daniel Haefliger)
2004
for: percussion, double trio and cimbalom
detailed instrumentation: solo percussion and cimbalom, flute, clarinet, horn, viola, cello, double-bass
duration: 23'
commission: Contrechamps, Geneva
first performance: 7.12.04, Geneva, Salle Communale de Plainpalais, François Volpé (percussion), Luigi Gaggero (cimbalom), Ensemble Contrechamps, Jurjen Hempel (conductor)
1989
for: clarinet quartet
duration: 8'30
first performance: 26.9.89, Assisi, Seconda Rassegna di Musica Moderna e Contemporanea, Claravoce Clarinet Quartet
2016-17
first part (for Genesis)
for: large ensemble
detailed instrumentation: flute (also G-flute), oboe (also English horn), clarinet in B flat (also bass clarinet), bassoon (also contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone, percussion I, percussion II, harp, piano (also celesta - five octaves), violin I, violin II, viola, violoncello, double-bass (five strings)
duration: 11'
commission: Ensemble InterContemporain
first performance: 30.3.17, Paris, Philharmonie, Ensemble InterContemporain, Matthias Pintscher (conductor)
2016/17-2020
first and second part
for: large ensemble
detailed instrumentation: flute (also G-flute), oboe (also English horn), clarinet in B flat (also bass clarinet), bassoon (also contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone, percussion I, percussion II, harp, piano (also celesta - five octaves), violin I, violin II, viola, violoncello, double-bass (five strings)
duration: 21'
commission: Ensemble InterContemporain
first performance: 4.9.20, Paris, La Scala, Ensemble InterContemporain, Matthias Pintscher (conductor)
1999-00
for: seven instruments
detailed instrumentation: alto flute, clarinet, trombone, violin, viola, cello and double-bass
duration: 12'
commission: L'Itinéraire, Paris
first performance: 19.2.00, Paris, Radio France, Présences 2000, Plural Ensemble, Mark Foster (conductor)
2007-15
a song concert upon fados by Amália Rodriguez
for: for female voice, large ensemble and live electronics
detailed instrumentation: fado singer (female), flute (also piccolo and G-flute), oboe (also English horn), clarinet in B flat (also basset horn and bass clarinet), bassoon (also contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone (also bass trumpet in B flat), percussion I, percussion II, cimbalom and percussion III, Portuguese guitar, Spanish guitar, harp, accordion, piano (also celesta - five octaves), violin I, violin II, viola, violoncello, double-bass (five strings) and live electronics
duration: 65'
commission: IRCAM-Centre Pompidou
first performance: 15.3.15, Orléans, Scène Nationale d'Orléans, Salle Barrault, Cristina Branco (voice), Ensemble Cairn, Guillaume Bourgogne (conductor), Thomas Goepfer (live electronics)
2005
for: piano and orchestra
detailed instrumentation: solo piano, 2.2.2.2./2.2.2.0./perc. I.II.III.IV./ harp and strings (12.10.8.6.4.)
duration: 10'
commission: Fondazione Concorso Internazionale Ferruccio Busoni - Bolzano festival Bozen
first performance: 24.8.05, Bolzano, Nuovo Teatro Comunale, Bolzano Festival Bozen, Massimiliano Damerini (piano), Orchestra Haydn, Ola Rudner (conductor)
1998-2007
for: double-bass and seventeen instruments
detailed instrumentation: solo double-bass, 1.1.2.1./1.1.1.1./perc.I.II.III./harp/string quintet
duration: 16'
commission: Schleswig-Holstein Musik Festival 1998; musikFabrik (for the final version)
first performance: 1st version: 22.8.98, Hamburg, Schleswig-Holstein Musik Festival, Frédéric Stochl (double-bass), Klangforum Wien, Sylvain Cambreling (conductor); final version: 23.11.2007, Köln, WDR, Michael Tiepold (double-bass), musikFabrik, Etienne Siebens (conductor)
2020
for: recorder, violin, strings, théorbo and harpsichord
detailed instrumentation: solo recorder (sopranino, soprano, alto), solo violin, strings (4.4.2.2.1.), theorbo, harpsichord
duration: 11'
commission: Kölner Philharmonie (KölnMusik) for »non bthvn projekt« 2020
2020
for: recorder, violin, théorbo and strings ad libitum
detailed instrumentation: recorder (tenor), violin, theorbo, strings ad lib.(4.4.2.2.1.)
duration: 11'
commission: Kölner Philharmonie (KölnMusik) for »non bthvn projekt« 2020
first performance: 27.8.2020, Cologne, Kölner Philharmonie, Giovanni Antonini (recorder), Patricia Kopatchinskaja (violin), Michele Pasotti (therobo), Il Giardino Armonico
2011-12
for: violin solo
duration: 5'
first performance: 25.10.12, Latina, Teatro Cafaro, Festival Pontino di Musica, Lina Uinskyte
2011
for: percussion, string trio and brass trio
detailed instrumentation: horn, trumpet, trombone, solo percussion, violin, viola and cello
duration: 15'
commission: Kunstfest Weimar GmbH for "Pèlerinages 2011"
first performance: 27.8.11, Weimar, Weimarhalle, Kunstfest Weimar 2011, Festival "Pèlerinages", Klangforum Wien, Sylvain Cambreling (conductor)
2016
sei liriche di Lorenzo Calogero
for: mezzosoprano, piano and live electronics
duration: about 17'
first performance: 26.5.16, Paris, Hôtel de Galliffet, Istituto Italiano di Cultura, Monica Bacelli (mezzosoprano), Giulio Biddau (piano), Marco Liuni, Alvise Vidolin (live electronics)
2002
for: mezzo-soprano, flute, clarinet, percussion, piano/celesta and string quintet
duration: 10'
commission: WDR Köln for Wittener Tage für neue Kammermusik 2002 and Ensemble Cikada
first performance: 28.4.02, Witten, Tage für Neue Kammermusik, Loré Lixenberg (mezzo-soprano), Ensemble Cikada, Christian Eggen (conductor)
2009-15
for: cimbalom and ensemble
detailed instrumentation: cimbalom solo, flute, oboe, clarinet, percussion, piano, violin, viola and cello
duration: 25'
commission: Spectra Ensemble
first performance: 1st version (in five movements): 28.9.09, Venice, 53th Biennale Musica, Luigi Gaggero (cimbalom), Spectra Ensemble, Filip Rathé (conductor); final version (in nine movements): 29.1.16, Ghent, De Bijloke, Luigi Gaggero (cimbalom), Spectra Ensemble, Filip Rathé (conductor)
2013
for: cello and symphonic orchestra
detailed instrumentation: solo cello, 3.3.3.3./4.3.3.1./perc. I.II.III.IV./ harp, strings (14.12.10.8.6.)
duration: 19'
commission: Teatro alla Scala
first performance: 20.1.14, Milano, Teatro alla Scala, Symphonic Season 2013 - 2014, Francesco Dillon (cello), Filarmonica della Scala Orchestra, Susanna Mälkki (conductor)
2008-11
for: seven voices
detailed instrumentation: 2 sopranos, alto, 2 tenors, baritone, bass
duration: 13'
commission: Commissioned by WDR, supported by Ernst von Siemens Musikstiftung and SACEM, for the Wittener Tage für neue Kammermusik
first performance: 7.5.11, Witten, Tage für Neue Kammermusik, Schola Heidelberg, Walter Nußbaum (conductor)
2017-18
upon Grabschriften in die Luft geschrieben and other posthumous epitaphs by Nelly Sachs
for: mezzo-soprano, harp, celesta, percussion and string orchestra
duration: 45'
commission: Münchener Kammerorchester
first performance: 22.2.18, Munich, Prinzregententheater, Münchener Kammerorchester 2017-18 Musical Season, Charlotte Hellekant (mezzo-soprano), Münchener Kammerorchester, Clemens Schuldt (conductor)
2003-04
for: vocal ensemble
detailed instrumentation: soprano, mezzosoprano, countertenor, tenor, baritone, bass
duration: 23'
commission: French Ministry of Culture
first performance: 24.9.03, Stuttgart, Musik der Jahrhunderte im Theaterhaus Pragsattel, Neue Vocalsolisten
1987
das Wechseln und das Werden
for: symphonic orchestra
detailed instrumentation: 3.3.3.3./4.3.3.1./perc. I.II.III.IV./piano, harp and strings (14.12.10.8.6.)
duration: 15'
first performance: August 1987, Parma, Teatro Farnese, OSER "A. Toscanini" Symphonic Orchestra, Olaf Henzold (conductor)
2001
for: eight instruments
detailed instrumentation: flute, English horn, clarinet, percussion, piano and string trio
duration: 5'
commission: Ensemble Recherche
first performance: 15.11.01, Paris, Festival d'Automne à Paris, Ensemble Recherche
2006
for: piano and symphonic orchestra
detailed instrumentation: solo piano, 3.3.3.3./4.3.3.1./perc. I.II.III.IV./ 2 harps, cymbalom and strings (14.12.10.8.6.)
duration: 14'
commission: OSN RAI Orchestra (RAI National Symphonic Orchestra)
first performance: 26.10.06, Torino, Auditorium RAI, Symphonic Season 2006-07, Jenny Lin (piano), OSN RAI Orchestra, Lothar Zagrosek (conductor)
1992-1994/2005
for: soprano, euphonium, horn and live electronics
duration: 15'
commission: IRCAM, Paris
first performance: provisional version: 26.2.94, Paris, IRCAM, Luisa Castellani (soprano), Gérard Buquet (euphonium); final version: 20.1.06, Paris, Grande Salle du Centre Pompidou, Claire Booth (soprano), Jens McManama (horn), Arnaud Boukhitine (euphonium), Thomas Goepfer (IRCAM computer music production)
1991-92/1993-2003
for: voice and chamber ensemble
detailed instrumentation: 1st version: soprano, flute, trumpet, percussion, harp and cello; 2nd version: soprano, flute, clarinet, piano, violin and cello
duration: 15'
first performance: 1st (incomplete) version: 24.10.92, Cologne, Ensemble Avantgarde, Steffen Schleiermacher (conductor); 1st (complete) version: 21.4.94, London, Purcell Room, Sarah Leonard (soprano), Capricorn Ensemble; 2nd (incomplete) version: 29.1.93 New York, Focus! The new Europeans, the New Juilliard Ensemble, Joel Sachs (conductor); 2nd (complete) version: 2.11.03, Brussels, Théàtre Marni, Festival Europalia, Margherita Chiminelli (soprano), Divertimento Ensemble, Sandro Gorli (conductor)
2018
Lieder und innere Stimmen d'après Robert Schumann für drei Sänger und Orchester herausgearbeitet von Stefano Gervasoni
for: soprano, tenor, baritone and orchestra
detailed instrumentation: 2.2.2.2./4.2.3.1./perc.I.II.II.IV./celesta, harp and strings (12.10.8.6.4.)
duration: 35'
commission: Gürzenich-Orchester Köln
first performance: 28.10.2018, Cologne, Kölner Philharmonie, Camilla Tilling (soprano), Martin Mitterrutzner (tenor), Stephan Genz (baritone), Gürzenich-Orchester Köln, Philipp von Steinaecker (conductor)
1994
Vagabonderia severa per ventitré musicisti
for: twenty-three musicians
detailed instrumentation: 2.1.2.1./2.1.1.1./perc.I.II.III./piano, harp and strings (1.1.2.2.1.)
duration: 19'
commission: Ensemble InterContemporain, Paris
first performance: 23.1.95, Paris, IRCAM, Ensemble InterContemporain, Markus Stenz (conductor)
2011-12
Apéro bouffe en sept scènes d’après des motifs et des textes de Giordano Bruno, Carl von Linné, Marylin Monroe et d’autres
for: soprano, countertenor, baritone, three actors, recorders and Paetzold flutes player, horn and alphorn player, cimbalom player, six percussion players and live electronics
detailed instrumentation: Computer music designer: Carmine Emanuele Cella
duration: 1h 30'
commission: French Ministry of Culture and les Percussions de Strasbourg
first performance: 22.9.12, Théâtre National, Festival Musica 2012, Juliet Fraser (soprano), Christopher Field (countertenor), Gareth John (baritone), Antonio Politano (flutes), Luigi Gaggero (cimbalom), Olivier Darbellay (horns), Les Percussions de Strasbourg, Carmine Emanuele Cella (live electronics)
2015
da Robert Schumann, Zwölf Vierhändige Clavierstücke für kleine und große Kinder, op. 85 n. 12
for: piano and live electronics
duration: 4'30''
first performance: 28.11.15, Venice, Conservatorio Benedetto Marcello, Ex Novo, Aldo Orvieto (piano), Alvise Vidolin (live electronics)
1991
for: six percussion players
duration: 11'
first performance: 17.5.91, Amsterdam, Slagwerkgroep Den Haag
2009
for: violin and viola
duration: 11'
commission: Domaine de Kerguéhennec
first performance: 31.5.09, Bignan (France), Domaine de Kerguéhennec, Muriel Cantoreggi (violin), Geneviève Strosser (viola)
2002-03
for: orchestra
detailed instrumentation: 2.2.2.2./2.2.2.0./perc. I.II.III.IV./celesta, harp and strings (12.10.8.6.4)
duration: 17'
commission: Radio France
first performance: 4.11.06, Milano, Sala Verdi del Conservatorio "G. Verdi", Milano-Musica 2006, OSN RAI Orchestra, Lothar Koenigs (conductor)
2016
Multichannel time-evolving sound installation
duration: 30'
commission: Istituto Italiano di Cultura - Paris
first performance: 26.5.16, Paris, Istituto Italiano di Cultura, Hôtel de Galliffet, opening of "Viale dei canti" by Giuseppe Caccavale, Marco Liuni, Alvise Vidolin (live electronics)
2010-11
for: trombone and percussion
duration: 13'
commission: Contrechamps, Geneva
first performance: 10.5.11, Geneva, Studio Ernest-Ansermet, Jean-Marc Daviet, François Volpé
2011
versione concertante
for: trombone, percussion and ensemble
detailed instrumentation: solo trombone and percussion, flute, clarinet, bassoon, horn, percussion, harp, piano, violin, viola, cello and double-bass
duration: 17'
commission: Contrechamps
first performance: 10.5.11, Geneva, Studio Ernest Ansermet, Jean-Marc Daviet (trombone), François Volpé (percussion), Ensemble Contrechamps, Michael Wendeberg (conductor)
2015
for: two oboes
duration: 7'
first performance: 9.6.15, Milano, Rondò 2015, Palazzina Liberty, Luca Avanzi, Cristina Ruggirello
2015-17
for: two soprano saxophones
duration: 7'
first performance: Paris, Accueil Musical - Eglise Saint-Merry, Evgeny Novikov, Nicolas Arsenijevic
1996
for: sixteen instruments
detailed instrumentation: 2.1.0.1./2.0.0.0./perc.I.II./accordion, piano, harp and string quintet
duration: 11'
commission: Festival d'Automne à Paris - Contrechamps
first performance: 29.11.96, Geneva, Cité Bleue, Ensemble Contrechamps, Emilio Pomarico (conductor)
2014
for: cimbalom solo
duration: 6'
first performance: 21.9.14, Schwaz (Austria), Maria-Hilf-Kirche Kronburg, Klangspuren, Tirol New Music Festival, Luigi Gaggero
1998-99
for: two singers-actors and an accordionist
duration: 15'
commission: XVIIth Musik-Biennale, Berlin
first performance: 8.12.08, Paris, Université Paris VIII, Symphosium "Pour une scène actuelle", double world premiere by Antoine Gindt (T&M) and Nicholas Till (Electric Voice Theatre by Frances Lynch)
2009-10
for: flute
duration: 9'
commission: Mr. Luca Innocenti
first performance: 13.9.10, Bergamo, Serate Musicali del Teatro alle Grazie, Vanessa Innocenti
2014
for: soprano saxophone solo
duration: 9'
first performance: 2.8.14, Rostrenen (France), Les Rencontres Musicales du Kreiz Breizh, Alexandre Souillart
2009
for: ensemble
detailed instrumentation: flute, oboe, clarinet, percussion, piano, violin, viola and cello
duration: 23'
commission: Lodovico e Angioletta Meneghetti
first performance: 13.6.09, Monza, Italy, Rondò 2009, Teatrino di Corte della Villa Reale, Divertimento Ensemble, Sandro Gorli (conductor)
2008-10
first book (I-VI)
for: piano
duration: 12'
2011-13
second book (VII-XII)
for: piano
duration: 12'
2014-15
third book (XIII-XVIII)
for: piano
duration: 14'
first performance: 20.4.15, Bergamo, Società del Quartetto di Bergamo, Sala Alfredo Piatti, Sara Costa
2017
for: basset horn and live electronics
duration: 9'30''
commission: Bologna Festival
first performance: 18.9.17, Bologna, Oratorio di Sab Filippo Neri, Bologna Festival, Michele Marelli (basset horn), Alvise Vidolin (live electronics)
1988
for: soprano, flute, clarinet and piano
duration: 13'
first performance: 25.2.89, Berlin, XII Musik Biennale, Gladys de Bellida (soprano), Micromégas Ensemble
2009
trascrizione per flauto, violino e viola da Johann Sebastian Bach
for: flute (in C, piccolo, alto and bass), violin and viola
commission: Domaine de Kerguéhennec
first performance: 31.5.09, Bignan, Domaine de Kerguéhennec, Mario Caroli (flutes), Muriel Cantoreggi (violin), Geneviève Strosser (viola)
2000
for: flute
duration: 15'
commission: Mr. Mario Caroli
first performance: 25.09.2000, Strasbourg, Festival Musica, Mario Caroli
2005
for: string quartet
duration: 7'30"
first performance: 8.10.05, Bologna, Accademia Filarmonica, Quartetto Prometeo
2008
for: large symphonic orchestra
detailed instrumentation: 4.4.4.4./8.4.4.2./2 harps and strings (16.14.12.10.8.)
duration: 18'
commission: Suntory Limited for Suntory Hall International Program for Music Composition 2008
first performance: 29.08.08, Tokyo, Suntory Hall, Suntory Music Foundation's Summer Festival 2008 "Music Today 21", Tokyo Metropolitan Symphony Orchestra, Yoichi Sugiyama (conductor)
2000
for: baritone saxophone, percussion and piano
duration: 14'30
commission: Südwestrundfunk Baden-Baden for the Donaueschinger Musiktage
first performance: 21.10.00, Donaueschingen, Donaueschinger Musiktage 2000, Trio Accanto
2014
sei poesie di José Ángel Valente per controtenore e corno
for: countertenor and french horn
duration: 13'
commission: French Ministry of Culture and Cumulus
first performance: 5.7.14, La Charité-sur-Loire (France), Festival Format Raisins, Kai Wessel (countertenor), Olivier Darbellay (horn)
2011
madrigali per dodici voci soliste e violino
for: twelve solo voices and violin
detailed instrumentation: S. I,II,III A. I,II,III T. I,II,III B. I,II,III
duration: 13'
commission: KlangForum Heidelberg and Milano Musica
first performance: 24.10.11, Milan, Teatro Elfo Puccini, Festival di Milano Musica, Lina Uinskyte (violin), Schola Heidelberg, Walter Nussbaum (conductor)
2017-19
for: mezzo-soprano and piano
duration: 15'
first performance:
26.11.19 Padua, Auditorium Pollini, Centro d’Arte degli Studenti dell’università di Padova, Sophie Klussmann (mezzo-soprano), Aldo Orvieto (piano)
1989
for: symphonic orchestra
detailed instrumentation: 3.3.3.3./4.3.3.0./perc. I. II. III. IV. /cel., harp and strings (14.12.10.8.6.)
duration: 7'30
first performance: 13.9.89, Parma, Teatro Farnese, OSER "A. Toscanini" Symphonic Orchestra, Hubert Soudant (conductor)
2005-06
for: string quartet
duration: 27'
commission: WDR Köln for Wittener Tage für neue Kammermusik 2006
first performance: 7.5.06, Witten, Tage für Neue Kammermusik, Arditti String Quartet
1999-00
ricreazione da Claudio Monteverdi
for: orchestra
detailed instrumentation: 2.2.2.2./2.2.0.0./perc.I.II./ strings (8.6.6.4.4.)
duration: 7'
commission: Mrs. Mariuccia Rognoni
first performance: 6.5.00, Milan, Sala Verdi del Conservatorio, Musical Season of the Pomeriggi Musicali, "I Pomeriggi Musicali" Orchestra, Andrea Pestalozza (conductor)
2011-12
for: violin and piano
duration: 15'
commission: Ex Novo Musica
first performance: 16.12.12, Venezia, Gran Teatro La Fenice, Ex Novo Musica 2012, Lina Uinskyte (violin), Aldo Orvieto (piano)
2001
for: string quartet
duration: 22'
commission: ProQuartet-Centre Européen de Musique de Chambre and Fondation Royaumont, Paris
first performance: 15.9.01, Paris, Royaumont, Voix Nouvelles, Quartetto Prometeo
2015
for: double bass
duration: 16'
commission: Radio France
first performance: (concert version): 18.5.16, Lyon, Les Rencontres Contemporaines, Florentin Ginot
1998-99 (01)
for: piano
duration: 13'30''
commission: Ms. Jenny Lin and Mr. Luca Sabbatini
first performance: 22.3.00, Brussels, Ars Musica, Jenny Lin
1991
Sinfonietta per flauto e violino concertanti
for: flute, violin and ensemble
detailed instrumentation: 1.1.2.1./1.1.1.0./perc./celesta and string quintet
duration: 17'
first performance: 28.11.91, Montreal, Forum 91, Le Nouvel Ensemble Moderne, Lorraine Vaillancourt (conductor)
2005-06
Capriccio dopo la fantasia
for: two pianos and two percussionists
duration: 14'
commission: Arditi Foundation, Geneva
first performance: 20.5.06, Geneva, Contrechamps, Radio Suisse Romande, Studio Ernest-Ansermet, Quatuor Makrokosmos
2017
quattro madrigali a cinque voci su testi di John Donne
for: vocal ensemble (S. MS. CT. T. B.)
duration: 14'
commission: Milano Musica
first performance: 25.11.17, Milan, Teatro Girolamo, Milano Musica Festival, Exaudi Vocal Ensemble
2011
for: viola solo, viola (in echo) and bass flute
duration: 6'30''
first performance: 7.5.11, Witten, Tage für Neue Kammermusik, Geneviève Strosser, Muriel Cantoreggi (violas), Cédric Jullion (flute)
2011-14
for: female voice and piano
detailed instrumentation: soprano or mezzo-soprano, piano
duration: 11'30
first performance: 31.5.14, Trieste, Casa della Musica, Risuonanze, Akiko Kozato (voice), Adele D’Aronzo (piano)
1991-1992
for: recorder, flute, harp and harpsichord
duration: 7'
first performance: 28.01.1994, Bonn, Ensemble Alter Ego
1992-93 1988-94 1989
(Tornasole - Vigilia - Terzo paesaggio senza peso)
for: viola (Tornasole); cello (Vigilia); double-bass (Terzo paesaggio senza peso)
detailed instrumentation: three solo pieces; trio version (viola, cello and double-bass)
duration: 13' (Tornasole); 8'30 (Vigilia); 4' (Terzo paesaggio senza peso)
commission: Collegium Novum Zurich (for the trio version)
first performance: 17.2.98, Geneva, Conservatoire, Isabelle Magnenat (Tornasole) 24.10.95, Roma, Nuova Consonanza, Pierre Morlet (Vigilia) October 1989, Palermo, participants in the 2nd National Competition for String Players (Terzo paesaggio senza peso) trio version: 11.5.00, Zurich, Musikhochschule, Collegium Novum (Trittico Grave)
2003
for: twenty-two strings
detailed instrumentation: strings (6.6.4.4.2.)
duration: 13'
commission: Internationale Stiftung Preis E. Balzan-Fonds, Zurich
first performance: 4.7.03, Zurich, Tonhalle, Zürcher Festspiele 2003, Zürcher Kammerorchester, Howard Griffiths (conductor)
1988
for: voice and nine instruments
detailed instrumentation: soprano, 1.1.1.1./1.0.0.0./string quartet
duration: 9'30
first performance: 10.9.88, Cernobbio (Como), Festival Lario Musica, Luisa Castellani (soprano), Quintetto Arnold, Arditti String Quartet, Emilio Pomarico (conductor)
2016
da Diabelli-Variationen op. 120, rielaborazione per quattordici strumenti
for: fourteen musicians
detailed instrumentation: 1.1.1.1./1.1.1.0./perc./piano, accordion/strings (1.0.1.1.1.)
duration: 5'30''
commission: Divertimento Ensemble
first performance: 18.1.16, Milano, Italy, Teatro Litta, Divertimento Ensemble, Sandro Gorli (conductor)
2007
tre studi per viola e live electronics (Étude d'altitude - Étude de solitude - Étude de similitude)
for: viola and live electronics
duration: 15'
commission: SO.GE.DA-Printemps des Arts de Monte-Carlo, Montecarlo
first performance: 15.04.07, Monte Carlo, Printemps des Arts de Monte-Carlo, Geneniève Strosser (viola), Thomas Goepfer (live electronics)
2016
Musica notturna dal silenzio della montagna, su versi di Saigyō, per voce e quartetto d’archi
for: voice and string quartet
duration: 13'
commission: Mrs Ryoko Aoki
first performance: 1.09.16, Tokyo, Umberto Agnelli Hall, Italian Cultural Institute Tokyo, Italy meets Noh!, Ryoko Aoki (voice), Quatuor Diotima