Stefano Gervasoni
Catalogue / ensemble
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Animato
for: eight instruments
detailed instrumentation: flute, clarinet, bassoon, horn, piano, violin, viola and cello
duration: 7'30''
first performance: 18.10.92, Milan, Nuove Sincronie, Ensemble L'Itinéraire, Philippe de Chalendar (conductor)
Antiterra
for: twelve instruments
detailed instrumentation: flute, oboe, clarinet, percussion, guitar, mandolin, piano/celesta, harp, violin, viola, cello and double-bass
duration: 13'
commission: Milano Musica and the Nieuw Ensemble Amsterdam
first performance: 25.10.99, Milan, Teatro dell'Arte, Milano Musica - Percorsi di Musica d'Oggi, Nieuw Ensemble, Renato Rivolta (conductor)
Atemseile
Hommage à Schumann-Celan
for: obbligato string trio and three echo trios
detailed instrumentation: flute, oboe, clarinet, bassoon, horn, percussion, piano and string quintet
duration: 17'30''
commission: Milano Musica
first performance: 15.10.97, Milan, Milano Musica - Percorsi di Musica d'Oggi, Ensemble Alter Ego, Renato Rivolta (conductor)
Bleu jusqu'au blanc
for: six percussion players
duration: 17'
commission: the French Ministry of Culture
first performance: 1st (incomplete) version: 1.04.1996, Rome, Academia Santa Cecilia, Les Percussions de Strasbourg
2nd (complete) version: 25.09.1996, Strasbourg, Festival Musica, Les Percussions de Strasbourg
Capriccio ostico
for: ensemble
detailed instrumentation: flute (also G-flute), oboe (also English horn), clarinet in B flat (also bass clarinet), bassoon (also contrabassoon), horn in F, trumpet in B flat, trombone, percussion I, percussion II, piano, violin I, violin II, viola, violoncello, double-bass (five strings)
duration: 16'
commission: Lemanic Modern Ensemble
first performance: 13.1.18, Paris, IRCAM-Centre Pompidou, Lemanic Modern Ensemble, William Blank (conductor)
Concertino per contrabbasso
for: double-bass and ensemble
detailed instrumentation: solo double-bass, 1.0.2.1./0.0.0.0./perc.I.II.III./guitar, alto and cello
duration: 6'30"
first performance: 7.9.90, Amsterdam, International Gaudeamus Music Week, Thom de Ligt (double-bass), NOS Radio Kamer Orkest, Elgar Howarth (conductor)
Concerto pour alto
for: viola and fifteen musicians
detailed instrumentation: solo viola, 1.1.1.1./1.1.1.0./perc. I.II./piano and celesta (1 player), harp and strings (1.0.1.1.1.)
duration: 26'
first performance: revised version: 5.7.95, Venice, Biennale Musica, Geneviève Strosser (viola), Klangforum Wien, Beat Furrer (conductor)
Dal belvedere di non ritorno
for: ensemble
detailed instrumentation: 1.0.1.0./1.0.0.0./perc. I.II./piano, violin and cello
duration: 17'
commission: French Ministry of Culture
first performance: 15.2.94, Paris, Radio France, Présences 1994, Ensemble FA, Dominique My (conductor)
Epicadenza
for: percussion, double trio and cimbalom
detailed instrumentation: solo percussion and cimbalom, flute, clarinet, horn, viola, cello, double-bass
duration: 23'
commission: Contrechamps, Geneva
first performance: 7.12.04, Geneva, Salle Communale de Plainpalais, François Volpé (percussion), Luigi Gaggero (cimbalom), Ensemble Contrechamps, Jurjen Hempel (conductor)
Eufaunique
for: large ensemble
detailed instrumentation: flute (also G-flute), oboe (also English horn), clarinet in B flat (also bass clarinet), bassoon (also contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone, percussion I, percussion II, harp, piano (also celesta - five octaves), violin I, violin II, viola, violoncello, double-bass (five strings)
duration: 11'
commission: Ensemble InterContemporain
first performance: 30.3.17, Paris, Philharmonie, Ensemble InterContemporain, Matthias Pintscher (conductor)
Eyeing
for: seven instruments
detailed instrumentation: alto flute, clarinet, trombone, violin, viola, cello and double-bass
duration: 12'
commission: L'Itinéraire, Paris
first performance: 19.2.00, Paris, Radio France, Présences 2000, Plural Ensemble, Mark Foster (conductor)
Far niente
for: double-bass and seventeen instruments
detailed instrumentation: solo double-bass, 1.1.2.1./1.1.1.1./perc.I.II.III./harp/string quintet
duration: 16'
commission: Schleswig-Holstein Musik Festival 1998; musikFabrik (for the final version)
first performance: 1st version: 22.8.98, Hamburg, Schleswig-Holstein Musik Festival, Frédéric Stochl (double-bass), Klangforum Wien, Sylvain Cambreling (conductor); final version: 23.11.2007, Köln, WDR, Michael Tiepold (double-bass), musikFabrik, Etienne Siebens (conductor)
Froward
for: percussion, string trio and brass trio
detailed instrumentation: horn, trumpet, trombone, solo percussion, violin, viola and cello
duration: 15'
commission: Kunstfest Weimar GmbH for "Pèlerinages 2011"
first performance: 27.8.11, Weimar, Weimarhalle, Kunstfest Weimar 2011, Festival "Pèlerinages", Klangforum Wien, Sylvain Cambreling (conductor)
Gramigna
for: cimbalom and ensemble
detailed instrumentation: cimbalom solo, flute, oboe, clarinet, percussion, piano, violin, viola and cello
duration: 25'
commission: Spectra Ensemble
first performance: 1st version (in five movements): 28.9.09, Venice, 53th Biennale Musica, Luigi Gaggero (cimbalom), Spectra Ensemble, Filip Rathé (conductor); final version (in nine movements): 29.1.16, Ghent, De Bijloke, Luigi Gaggero (cimbalom), Spectra Ensemble, Filip Rathé (conductor)
In nomine R.
for: eight instruments
detailed instrumentation: flute, English horn, clarinet, percussion, piano and string trio
duration: 5'
commission: Ensemble Recherche
first performance: 15.11.01, Paris, Festival d'Automne à Paris, Ensemble Recherche
Lilolela
Vagabonderia severa per ventitré musicisti
for: twenty-three musicians
detailed instrumentation: 2.1.2.1./2.1.1.1./perc.I.II.III./piano, harp and strings (1.1.2.2.1.)
duration: 19'
commission: Ensemble InterContemporain, Paris
first performance: 23.1.95, Paris, IRCAM, Ensemble InterContemporain, Markus Stenz (conductor)
Macchina del baccano sentito
for: six percussion players
duration: 11'
first performance: 17.5.91, Amsterdam, Slagwerkgroep Den Haag
Nube obbediente
versione concertante
for: trombone, percussion and ensemble
detailed instrumentation: solo trombone and percussion, flute, clarinet, bassoon, horn, percussion, harp, piano, violin, viola, cello and double-bass
duration: 17'
commission: Contrechamps
first performance: 10.5.11, Geneva, Studio Ernest Ansermet, Jean-Marc Daviet (trombone), François Volpé (percussion), Ensemble Contrechamps, Michael Wendeberg (conductor)
Parola
for: sixteen instruments
detailed instrumentation: 2.1.0.1./2.0.0.0./perc.I.II./accordion, piano, harp and string quintet
duration: 11'
commission: Festival d'Automne à Paris - Contrechamps
first performance: 29.11.96, Geneva, Cité Bleue, Ensemble Contrechamps, Emilio Pomarico (conductor)
Prato prima presente
for: ensemble
detailed instrumentation: flute, oboe, clarinet, percussion, piano, violin, viola and cello
duration: 23'
commission: Lodovico e Angioletta Meneghetti
first performance: 13.6.09, Monza, Italy, Rondò 2009, Teatrino di Corte della Villa Reale, Divertimento Ensemble, Sandro Gorli (conductor)
Su un arco di bianco
Sinfonietta per flauto e violino concertanti
for: flute, violin and ensemble
detailed instrumentation: 1.1.2.1./1.1.1.0./perc./celesta and string quintet
duration: 17'
first performance: 28.11.91, Montreal, Forum 91, Le Nouvel Ensemble Moderne, Lorraine Vaillancourt (conductor)
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